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The beginning of filmmaking in the German colonies coincided with colonialism itself coming to a standstill. Scandals and economic stagnation in the colonies demanded a new and positive image of their value for Germany. By promoting business and establishing a new genre within the fast growing film industry, films of the colonies were welcomed by organizations such as the Deutsche Kolonialgesellschaft (German Colonial Society). The films triggered patriotic feelings but also addressed the audience as travelers, explorers, wildlife protectionists, and participants in unique cultural events. Th
Documentary films --- Motion pictures --- Motion pictures in propaganda --- Moving-pictures in propaganda --- Propaganda in motion pictures --- Propaganda --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Nonfiction films --- Actualities (Motion pictures) --- History --- Colonies. --- History and criticism --- Germany --- Alemania --- Ashkenaz --- BRD --- Bu̇gd Naĭramdakh German Uls --- Bundesrepublik Deutschland --- Deutsches Reich --- Deutschland --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federal Republic of Germany --- Federalʹna Respublika Nimechchyny --- FRN --- German Uls --- Germania --- Germanii︠a︡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Weimar Republic --- Weimarer Republik --- ХБНГУ --- Германия --- جرمانيا --- ドイツ --- ドイツ連邦共和国 --- ドイツ レンポウ キョウワコク --- Germany (East) --- Germany (Territory under Allied occupation, 1945-1955) --- Germany (Territory under Allied occupation, 1945-1955 : British Zone) --- Germany (Territory under Allied occupation, 1945-1955 : French Zone) --- Germany (Territory under Allied occupation, 1945-1955 : Russian Zone) --- Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone) --- Germany (West) --- Holy Roman Empire --- Colonies --- Films documentaires --- Cinéma --- Cinéma et propagande. --- Histoire --- Allemagne --- Deguo --- 德国 --- Gėrman --- Герман Улс --- Colonies allemandes
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Das Musikleben der Renaissance zwischen Alltag und Fest, Hof und Kirche, Stadt und Land, Diesseits und Jenseits ist Gegenstand dieser zweibändigen Darstellung. Übergreifende Essays, farbige Detailstudien und zum Sprechen gebrachte Dokumente erhellen die sozialen und kulturellen Hintergründe dieser faszinierenden Epoche.Der erste Teilband – jüngst erschienen – widmet sich Orten und Zentren der Musik, insbesondere Kirche und Hof als den wichtigsten Stationen im typischen Lebensweg von Komponisten. Momente der Alltagsgeschichte und die Funktion der Musik in Ritual, Zeremoniell und Tanz kommen zur Sprache, prägende Ideen wie Reformation oder Memoria werden erläutert, irdische und überirdische Akteure haben ihre Auftritte.
Music --- History of civilization --- anno 1400-1499 --- anno 1500-1599 --- music [performing arts] --- Renaissance --- music [performing arts genre] --- cultuurgeschiedenis --- muziekgeschiedenis
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The Segovia Manuscript (Cathedral of Segovia, Archivo Capitular) has puzzled musicologists ever since its rediscovery at the beginning of the twentieth century. It is unique: no other manuscript of the period transmits a comparable blend of late fifteenth-century music, consisting of 204 sacred works and vernacular pieces in Flemish, French, Italian, and Spanish. An important group of pedagogical pieces by French and Flemish composers may preserve transcriptions of instrumental improvisation. This summary might suggest a messy collection, but on the contrary the manuscript is arranged with care, copied by one proficient scribe (except perhaps for the Spanish texts), who obviously followed a predetermined master plan. But which plan, who designed it, and why was the person responsible so interested in this combination? The essays here aim to treat every dimension of this fascinating source. New discoveries help date the manuscript and explain how it came to Segovia; particular attention is paid to the main scribe, now determined to be Flemish, and his relation with northern composers and repertory, above all that of Jacob Obrecht, Alexander Agricola, and Henricus Isaac; and the vexed question of the conflicting attributions is considered afresh and found to affect only a few of the fascicles. The contributors also look at questions of ownership and function.
Music --- History and criticism --- Manuscripts --- History. --- History and criticism. --- Cancionero musical de la Catedral de Segovia. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Cancionero musical de Segovia --- Cancionero de la Catedral de Segovia --- Cultural Heritage. --- European Heritage. --- European Musical Repertory. --- Historical Records. --- Medieval Manuscripts. --- Music History. --- Music Manuscripts. --- Music Performance. --- Musical Traditions. --- Musicological Research. --- Musicology. --- Segovia Manuscript. --- Spanish Music.
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Musik ist eine Herausforderung für die Philosophie - die von dieser oft nicht angenommen wurde. In den letzten Jahrzehnten hat sich jedoch die Musikphilosophie im deutschsprachigen Raum als ein zunehmend dynamisches interdisziplinäres Feld zwischen Philosophie, Ästhetik und Kunsttheorie, Musikwissenschaft, Musiktheorie und musikalischer Praxis entwickelt. Die Beiträge dieses Bandes, u. a. von Daniel Martin Feige, Gunnar Hindrichs, Richard Klein, Cosima Linke und Matthias Vogel, ziehen erstmals ein Fazit und beleuchten die Perspektiven des mittlerweile ausdifferenzierten Diskurses über diese scheinbar unmittelbarste und zugleich begrifflich am schwersten fassbare künstlerische Ausdrucksform.
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Modalité (musique). --- Théorie musicale. --- Tonart. --- Geschichte.
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